Heinrich Nüsslein

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany) Untitled, Numbered 25 – Lengthy complex annotation on the back. The last sentence reads:

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Not signed or numbered  Heinrich Nüsslein insisted that he was not an artist, but

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Signed on the reverse with the title “Die Quelle des Lichtes & des Wachtums”

Heinrich Nüsslein Nürnberg, 1879-1947 Ruhpolding (Germany)  Eussorien 100,000 Jahre vor Christus (Eussorien 100,000 Years before Christ)  Heinrich Nüsslein insisted that

Visionary Landscapes – Automatic Paintings from the Hand of a Medium Nürnberg, 1879  –  1947  Ruhpolding (Germany) Heinrich Nüsslein insisted

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Untitled – Numbered 436  Heinrich Nüsslein insisted that he was not an artist, but

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Peru – # 344  Heinrich Nüsslein insisted that he was not an artist, but

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany) Garden of Eden – Arizona Heinrich Nüsslein insisted that he was not an artist,

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Ludwig van Beethoven’s Egmont Ouverture (# 360)  Heinrich Nüsslein insisted that he was not

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany) Entitled by hand “Friedensfuersten” (Princes of Peace) on the reverse and numbered 486.  Heinrich

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Quellbebiet des Brahmabutra – # 360 The Source of the Brahmaputra Heinrich Nüsslein insisted

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Titled “Kaschmir” (Kashmir) on the reverse and numbered 375  Heinrich Nüsslein insisted that he

Heinrich Nüsslein  Nürnberg, 1879-1947 Ruhpolding (Germany)  Untitled “Universitaet” (University) on the reverse and numbered 464  Heinrich Nüsslein insisted that he